Beyond the edge of the so-called human, beyond it but by no means on a single opposing side, rather than “The Animal” or “Animal Life” there is already a heterogeneous multiplicity of the living, or more precisely (since to say “the living” is already to say too much or not enough), a multiplicity of organization of relations between living and dead, relations of organization or lack of organization among realms that are more and more difficult to dissociate by means of the figures of the organic and inorganic, of life and/or death. —Jacques Derrida

archiemcphee:

French artist Sylvain Meyer creates awesome outdoor installations by modifying the natural landscape using materials such such as bark, leaves, and stones. 

[via enpundit]

Source enpundit.com


Can one, even in the name of fiction, think of a world without animals … ? Does animality participate in every concept of the world, even of the human world? … The horizon of the ends of the animal is not only a fiction … . It is, if you’ll permit me to say it, the horizon of a real hypothesis … . [which] can develop only as the symptom of a desire or phantasm: the tableau of a world after animality, after a sort of holocaust, a would from which animality, at first present to man, would have one day disappeared: destroyed or annihilated by man, either purely and simply—something that seems almost impossible if one feels we are heading down the path toward such a world without animals—or by means of a devitalizing or disanimalizing treatment, what others would call the denaturing of animality, the production of figures of animality that are so new that they appear monstrous enough to call for a change of name. This science fiction is more and more credible, having begun with taming and domestication, dressage, neutering, and acculturation, and is being pursued with medico-industrial exploitation, overwhelming interventions upon animal milieus and reproduction, genetic transplants, cloning, etc.

Jacques Derrida, The Animal That Therefore I Am, ed. Marie-Louise Mallet, trans. David Wills (New York: Fordham University Press, 2088), 79-78.

What would the world be without them?  The sky without birds, the oceans and rivers without fish, the earth without tigers or wolves, ice floes melted with humans below and nothing but humans fighting over water sources.  Is it even possible to want that?

In relation to this tendency, which seems ineluctable, every animal is a beginning, an engagement, a point of animation and intensity, a resistance.

Any politics that takes no account of this (which is to virtually all politics) is a criminal politics.

Jean-Christophe Bailly, The Animal Side, trans. Catherine Porter (New York: Fordham University Press, 2011), 75.

archiemcphee:

Check out this awesome capture by Michigan photographer Brooke Pennington. The tension is palpable. That little mantis look so brave in the face of the pending kitty smack down. 
If this version isn’t quite enough awesomeness for you, you can view a larger version here.
[via Colossal]

archiemcphee:

Check out this awesome capture by Michigan photographer Brooke Pennington. The tension is palpable. That little mantis look so brave in the face of the pending kitty smack down.

If this version isn’t quite enough awesomeness for you, you can view a larger version here.

[via Colossal]

Source thisiscolossal.com


Counting (Electric) Sheep

Over at Berfrois, the eds. have put together a sampling of international Philip K. Dick book covers.  The cover for the Danish edition of Do Androids Dream of Electric Sheep? is so marvellously weird that I had to see what other covers Androids has sported.  Follow the link to see some of the more interesting specimens.


I was browsing through the collection over at the Wellcome Images and found these delightful etchings published in the early nineteenth century after drawings by Charles Le Brun (1619-1690).  They appear in Dissertation sur un traité de Charles Le Brun concernant le rapport de la physionomie humaine avec celle des animaux, translated into English in 1827 under the title, A Series of Lithographic Drawings Illustrative of the Relation between the Human Physiognomy and that of the Brute Creation: From Designs by Charles Le Brun; With Remarks on the System (see the catalogue file at the Wellcome Library).  Of course, the mania for physiognomy and phrenology peaked in the eighteenth and nineteenth centuries, and has firm links to the regimes of knowledge-power that institute state racism and class struggles.

(Read Brutalization | Anthropo-eccentrism)

All images are copyrighted work available under Creative Commons by-nc 2.0 UK, see http://images.wellcome.ac.uk/indexplus/page/Prices.html

Source images.wellcome.ac.uk


Turtle Tank Locust Tractor Corthosarius Casuarius Rectum Launcher Buck Train

The animal machines of Nicolas Lampert.

  1. Turtle Tank
  2. Locust Tractor
  3. Locust Tank 2
  4. Buck Train

Source machineanimalcollages.com


Humanity's Best Friend: How Dogs May Have Helped Humans Beat the Neanderthals | The Atlantic

archaeologicalnews:

Over 20,000 years ago, humans won the evolutionary battle against Neanderthals. They may have had some assistance in that from their best friends.

One of the most compelling — and enduring — mysteries in archaeology concerns the rise of early humans and the decline of Neanderthals. For about…

Read the article by Megan Garber: Humanity’s Best Friend: How Dogs May Have Helped Humans Beat the Neanderthals | The Atlantic.

Also read the article by Pat Shipman, to which Garber refers: Do the Eyes Have It? | American Scientist.

Source archaeologicalnews



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